Thought like a theatre piece, this creation relates the sharing field of two lovers and the influence that the close environment on their relationship.
Each of the nine big paintings/scenes, inspired by François Massal’s photographies, represents a stage of this relation.
First, the two bodies are in movement, answering to each other; and then, as one goes along, they flee and become motionless: cold tones override warmy tones. Facing the canvasses by Renpaumero, many painted chairs,executed in ink on little sizes, represent the sight of the other and the public.
Texts by agnes Castel take the viewer much towards in the memory of the related story. They are set in paintings but also present in the musical ambiance, that the sound creation plays with words of mouth. They are the palimpsest of each painting.
Thus, the exhibition tells, and the soundtrack by syn-anton reveals the movement, reports the contexts, crosses the lovers’ thoughts.
The installation makes the different four sources of sounds at the viewer’s disposal: two of them are hung alternatly behind each painting and define the intimacy of both naked man and woman; at least, the two others create a contextual space.
